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	<title>Comments on: The end of the number line</title>
	<link>http://bit-player.org/2008/the-end-of-the-number-line</link>
	<description>An amateur's outlook on computation and mathematics.</description>
	<pubDate>Fri, 25 Jul 2008 16:49:51 +0000</pubDate>
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 		<title>Comment on The end of the number line by: Stephen Meskin</title>
		<link>http://bit-player.org/2008/the-end-of-the-number-line#comment-1621</link>
		<pubDate>Sat, 23 Feb 2008 03:13:37 +0000</pubDate>
		<guid>http://bit-player.org/2008/the-end-of-the-number-line#comment-1621</guid>
					<description>The Sharkovski Theorem is rather pretty because it is simply stated and deep.  Stating it in terms of an ordering of N is an &quot;artistic&quot; touch.  

The relationship between mathematics and art is often discussed in the sense of how one can use math to produce artistic visual or musical effects.  I have been wondering about the internal aesthetics of math; of mathematical statements or proofs that are beautiful; math that is beautiful based on its mathematical content.

The three statements below that I have quoted from your article, indicate that awareness of this kind of beauty is part of your work (and the work of many good mathematicians).  

&quot;It’s a surprisingly sweet little function, concise and simple,...&quot;
&quot;It’s entirely possible to do that, but the resulting program is ugly and artificial.&quot;
&quot;That’s rather pretty,...&quot;

As you can see, I am not just saying that the beauty in mathematics arises because mathematicians seek truth, and truth is beauty.  But rather there are are some mathematical truths that are beautiful and others that are not.  This is probably not a new idea.  Can you refer me to writings on this subject?  If not, you may want to write a column on it yourself.</description>
		<content:encoded><![CDATA[	<p>The Sharkovski Theorem is rather pretty because it is simply stated and deep.  Stating it in terms of an ordering of N is an &#8220;artistic&#8221; touch.  </p>
	<p>The relationship between mathematics and art is often discussed in the sense of how one can use math to produce artistic visual or musical effects.  I have been wondering about the internal aesthetics of math; of mathematical statements or proofs that are beautiful; math that is beautiful based on its mathematical content.</p>
	<p>The three statements below that I have quoted from your article, indicate that awareness of this kind of beauty is part of your work (and the work of many good mathematicians).  </p>
	<p>&#8220;It’s a surprisingly sweet little function, concise and simple,&#8230;&#8221;<br />
&#8220;It’s entirely possible to do that, but the resulting program is ugly and artificial.&#8221;<br />
&#8220;That’s rather pretty,&#8230;&#8221;</p>
	<p>As you can see, I am not just saying that the beauty in mathematics arises because mathematicians seek truth, and truth is beauty.  But rather there are are some mathematical truths that are beautiful and others that are not.  This is probably not a new idea.  Can you refer me to writings on this subject?  If not, you may want to write a column on it yourself.
</p>
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 		<title>Comment on The end of the number line by: Jim Ward</title>
		<link>http://bit-player.org/2008/the-end-of-the-number-line#comment-1615</link>
		<pubDate>Thu, 14 Feb 2008 13:39:50 +0000</pubDate>
		<guid>http://bit-player.org/2008/the-end-of-the-number-line#comment-1615</guid>
					<description>One difference between &quot;2, 1, 4, 3, 6, 5, 8, 7, …&quot; and &quot;1, 3, 5, …, 2, 4, 6, …&quot; is that &quot;...&quot; means &quot;do forever&quot;. So you need 2 &quot;do forever&quot; statements.</description>
		<content:encoded><![CDATA[	<p>One difference between &#8220;2, 1, 4, 3, 6, 5, 8, 7, …&#8221; and &#8220;1, 3, 5, …, 2, 4, 6, …&#8221; is that &#8220;&#8230;&#8221; means &#8220;do forever&#8221;. So you need 2 &#8220;do forever&#8221; statements.
</p>
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 		<title>Comment on The end of the number line by: unekdoud</title>
		<link>http://bit-player.org/2008/the-end-of-the-number-line#comment-1610</link>
		<pubDate>Thu, 07 Feb 2008 14:38:21 +0000</pubDate>
		<guid>http://bit-player.org/2008/the-end-of-the-number-line#comment-1610</guid>
					<description>I suppose the 4th approach derives from trying to find the element before 3. Tracing the program gives 1.</description>
		<content:encoded><![CDATA[	<p>I suppose the 4th approach derives from trying to find the element before 3. Tracing the program gives 1.
</p>
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 		<title>Comment on The end of the number line by: Seb</title>
		<link>http://bit-player.org/2008/the-end-of-the-number-line#comment-1609</link>
		<pubDate>Thu, 07 Feb 2008 01:12:01 +0000</pubDate>
		<guid>http://bit-player.org/2008/the-end-of-the-number-line#comment-1609</guid>
					<description>Does anybody know if there is a statement similar to Sharkovski's theorem but for cellular automata?</description>
		<content:encoded><![CDATA[	<p>Does anybody know if there is a statement similar to Sharkovski&#8217;s theorem but for cellular automata?
</p>
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 		<title>Comment on The end of the number line by: Barry Cipra</title>
		<link>http://bit-player.org/2008/the-end-of-the-number-line#comment-1606</link>
		<pubDate>Wed, 06 Feb 2008 22:09:21 +0000</pubDate>
		<guid>http://bit-player.org/2008/the-end-of-the-number-line#comment-1606</guid>
					<description>It occurs to me it's also of interest to find a good recursive definition for the &quot;smaller than&quot; function for the Sharkovski ordering -- i.e., the function S(a,b) that returns a or b, depending on which one appears first.  Here's a not-so-succinct stab at doing so:
&lt;pre&gt;
function S(a,b)
  if a==1 
    then return b
    elseif b=1 
      then return a
      elseif odd(ab)
        then return min(a,b)
        elseif odd(a)
          then return a
          elseif odd(b)
            then return b
            else return 2 * S(a/2,b/2)
&lt;/pre&gt;
Note, the function min(a,b) has its own recursive definition when a and b are positive integers:
&lt;pre&gt;
function min(a,b)
  if a==1
    then return a
    elseif b==1
      then return b
      else return 1+min(a-1,b-1)
&lt;/pre&gt;</description>
		<content:encoded><![CDATA[	<p>It occurs to me it&#8217;s also of interest to find a good recursive definition for the &#8220;smaller than&#8221; function for the Sharkovski ordering &#8212; i.e., the function S(a,b) that returns a or b, depending on which one appears first.  Here&#8217;s a not-so-succinct stab at doing so:</p>
	<pre>
function S(a,b)
  if a==1
    then return b
    elseif b=1
      then return a
      elseif odd(ab)
        then return min(a,b)
        elseif odd(a)
          then return a
          elseif odd(b)
            then return b
            else return 2 * S(a/2,b/2)
</pre>
	<p>Note, the function min(a,b) has its own recursive definition when a and b are positive integers:</p>
	<pre>
function min(a,b)
  if a==1
    then return a
    elseif b==1
      then return b
      else return 1+min(a-1,b-1)
</pre>
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 		<title>Comment on The end of the number line by: Seb</title>
		<link>http://bit-player.org/2008/the-end-of-the-number-line#comment-1605</link>
		<pubDate>Wed, 06 Feb 2008 19:48:54 +0000</pubDate>
		<guid>http://bit-player.org/2008/the-end-of-the-number-line#comment-1605</guid>
					<description>Sharkovski's ordering makes the statement of the associated theorem in dynamics very simple. Other orderings may make the statement more complicated but still be acceptable.</description>
		<content:encoded><![CDATA[	<p>Sharkovski&#8217;s ordering makes the statement of the associated theorem in dynamics very simple. Other orderings may make the statement more complicated but still be acceptable.
</p>
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 		<title>Comment on The end of the number line by: David S. Mazel</title>
		<link>http://bit-player.org/2008/the-end-of-the-number-line#comment-1604</link>
		<pubDate>Wed, 06 Feb 2008 04:17:41 +0000</pubDate>
		<guid>http://bit-player.org/2008/the-end-of-the-number-line#comment-1604</guid>
					<description>To read this article, and note how nicely Brian interlaces  the sequences with code, reminds me of Chaitin's ideas of algorithmic complexity.  When we see these various sequences, it is interesting and indeed, a method for classification, to ask: How can we code a sequence and with that coding, say something about the sequence?  

I think Brian does a wonderful job of connecting these ideas (and I wish I had more time to expand my thoughts here) and I hope that in future posts, he'll explore what he's started here even more.</description>
		<content:encoded><![CDATA[	<p>To read this article, and note how nicely Brian interlaces  the sequences with code, reminds me of Chaitin&#8217;s ideas of algorithmic complexity.  When we see these various sequences, it is interesting and indeed, a method for classification, to ask: How can we code a sequence and with that coding, say something about the sequence?  </p>
	<p>I think Brian does a wonderful job of connecting these ideas (and I wish I had more time to expand my thoughts here) and I hope that in future posts, he&#8217;ll explore what he&#8217;s started here even more.
</p>
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